Fault Shadows

May 20, 2007

I created this very subtle work, incorporated into the entry at Gate Tennis Center in the Cherry Creek neighborhood of Denver. It is simply a visual exercise in pushing and pulling the shadows of the grid in and out of focus. 

Arcweight Installation

August 9, 2005

Installed at Peggy and Bob Mangolds Gallery, Artyard, this installation was composed of over 12,000 feet of steel cable, suspend from the gallery walls. 


May 23, 2003

depressions and passages through volumes in clay

Branched Drogue

June 7, 2002

During the winter of 2001/02 I worked with the remnants of a tall poplar tree while living on the island of Nantucket. Diseased at the trunk, the tree was taken down to insure it would not fall on the barn at the school that gave me a residency. Over the course of the winter I worked with the branches and trunk to create a series of works titled "drogues". 

Sketch. June 2001

June 2, 2001

Northern Rose and A reclining nude in marble, Chartres and Paris, France


June 1, 2001

This was a string (woolen lopi) installation in a street side gallery in Reykjavik hosted during the mid summer evenings.Gallery Nemhvad, Reykjavik, Iceland.

reconstructed drift wood, ljosa cliff

April 7, 2001

While living and working at a friends (Einar Mar and Christina's) home in Iceland, I collected planks and strips of drift wood that would wash up on the beach of Ljosa Cliffi in Hafnarfjourdur. The reconstructions would reflect the journey I imagined these pieces of wood to take along the volcanic coast line of Iceland. 

Spark Drawings

March 9, 2001

This is from one of many spark drawings that I would create during the dark winter nights in Iceland. Using a grinder to strike sparks from remnant steel in the landscape, I would record the 5-6 minute composition with the camera's shutter open, registering a collective body of light. 

Sketch. March 2001

March 7, 2001

The cloud anchored by the Harbor House, proportions for the HUM installation. Reykjavik Museum of Art. Iceland