I created this very subtle work, incorporated into the entry at Gate Tennis Center in the Cherry Creek neighborhood of Denver. It is simply a visual exercise in pushing and pulling the shadows of the grid in and out of focus.
Charred Arcs against the wall. Santa Fe, NM
Installed at Peggy and Bob Mangolds Gallery, Artyard, this installation was composed of over 12,000 feet of steel cable, suspend from the gallery walls.
depressions and passages through volumes in clay
During the winter of 2001/02 I worked with the remnants of a tall poplar tree while living on the island of Nantucket. Diseased at the trunk, the tree was taken down to insure it would not fall on the barn at the school that gave me a residency. Over the course of the winter I worked with the branches and trunk to create a series of works titled "drogues".
Northern Rose and A reclining nude in marble, Chartres and Paris, France
This was a string (woolen lopi) installation in a street side gallery in Reykjavik hosted during the mid summer evenings.Gallery Nemhvad, Reykjavik, Iceland.
While living and working at a friends (Einar Mar and Christina's) home in Iceland, I collected planks and strips of drift wood that would wash up on the beach of Ljosa Cliffi in Hafnarfjourdur. The reconstructions would reflect the journey I imagined these pieces of wood to take along the volcanic coast line of Iceland.
This is from one of many spark drawings that I would create during the dark winter nights in Iceland. Using a grinder to strike sparks from remnant steel in the landscape, I would record the 5-6 minute composition with the camera's shutter open, registering a collective body of light.
The cloud anchored by the Harbor House, proportions for the HUM installation. Reykjavik Museum of Art. Iceland